Iranian classical poetry presentation. Artistic culture of the Muslim East

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The work was carried out by a student of grade 7a Kirasirova Amina. Teacher: Kirasirova Havva Vildanovna

POETRY OF THE EAST

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Explore the outstanding Eastern poets of the Middle Ages and their creations.

Objective of the project

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What are the works of oriental lyricists?

Main question

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Roodaki; Ibn Sina; Nasser Khasrov; Omar Khayyam; Saadi; Rami; Cumene; Doges;

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Abu Abdallah Jafar Rudaki

Years of life: 860-941. One of the main pioneers of oriental poetry, was born in the village of Panjrud. He reached the highest fame and fame at the court of the Sassanid rulers of Bukhara, but at the end of his life he fell out of favor and was forced to return to his native village, where he died. His poetic heritage, according to one version, has over 130 thousand couplets, according to another, 1300 thousand, but not much more than 1000 bytes have survived to our time. In his work, Rudaki widely used a wide variety of poetic genres - qasids, ghazals, rubai, etc. His poetry is characterized by a pronounced humanistic pathos, brevity and simplicity of style.

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His glorious name resembles a sun rise, the Moon is like a goblet on a feather, which the shah drinks in health. The very happy fate of the leader leads to accomplishments. All the prosperity of the earth is the fruit of his solicitude.

Here the sufferer will not find joyous fruits. This garden is treacherous, this vault is wrong. The gardener will cut off your life like a dry branch, And the whirlwind will rip your foliage and carry it away.

Slide 7

Ibn Sina Abu Ali Hussein

Years of life: 980-1037. Encyclopedic scientist, poet, born near Bukhara. He wrote in Arabic and Tajik. He left a huge scientific legacy - about 300 works, including the "Canon of Medicine", which for almost five centuries was considered one of the main medical manuals. Among the philosophical treatises, the most famous are: "The Book of Healing", "The Book of Instructions and Admonitions", "The Book of Knowledge". The poetry of Ibn Sina is notable for its deep content, extraordinary clarity of thought.

Slide 8

With two or three donkeys near the mosque, That think they are wise in the world, Look like a donkey, so that these ignoramuses do not suddenly declare you a giaur.

When my friend finds a harmony with my enemy, I will be glad to leave such a friend. Watch out for the flies sitting on the snake And stay away from honey, in which poison has fallen.

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NASIR KHOSROV ABU MUIN

Years of life: 1004 - 1072 Born in Kabadian. He was the author of numerous philosophical treatises, prose and poetic works, in which he acted as a passionate defender of the interests of peasants and artisans, not accepting and sharply criticizing the anti-popular policy of the Seljuk rulers of Central Asia and the religious tenets of official Islam.

Slide 10

DUALITY

Words that went apart with things And life into which we could not breathe - They look like a melon, "dastambuy", no matter how sad: She is a beauty - fragrant, but tasteless ... I show the way to a prudent: Don't be a playing ball or a ball! Flattering those who play, in servility, ardent The ball is turned to everyone, and not the back of the head. And you are not this that you are not happy to reap, Those do not talk words that most disgust.

Slide 11

OMAR KHAYYAM GIYASADDIN

Years of life: 1048 - 1122 Poet, mathematician, philosopher and astronomer; was born in Nishapur. At first he was widely known as the author of mathematical works, later he created a number of works in various fields of science, containing the most valuable discoveries that have not lost their significance to this day. As a poet, he became famous for his quatrains - rubai, bringing this complex poetic genre, containing a deep philosophical meaning, to the highest degree of perfection.

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In the Book of Destinies, not a word can be changed. Those who suffer eternally cannot be excused. You can drink your bile until the end of your life: Life cannot be shortened and cannot be lengthened.

The one who, from his youth, believes in his own mind, Became dry and gloomy in pursuit of the truth. Claiming from childhood to the knowledge of life, without becoming a Grape, turned into a raisin.

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SAADI (MUSLIHADDIN ABU MUHAMMED ABDALLAH)

Years of life: 1210 - 1292 Born in Shiraz, traveled to eastern countries for more than twenty years, which resulted in the books "Bustan" and "Gulistan", in which he told about the life of the working people - farmers, merchants and artisans. It was these books that brought him the glory of a great poet-humanist, a champion of the rights of the disadvantaged and oppressed.

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ABOUT HUMILITY

A drop rushed down from the cloud And, falling into the waves of the sea, was embarrassed. "How small I am, but here the space is so ... I am nothing in front of the abyss of the sea!" She despised herself, belittled herself; But the sink sheltered a drop; And the pearl, born of that drop, adorned the King with a golden crown. She considered herself an insignificant drop - And shone with beauty and glory. Humility is the path of the lofty sages, Thus the branch bends under the weight of the fruit.

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RUMI JALALEDDIN

Years of life: 1207 - 1273. Was born in Balkh. The author of the famous poem "Masnavi", in which he gave a figurative interpretation of the main provisions of Sufi philosophy. He illustrated his complex theoretical positions with parables, fables, short stories, many of which echoed well-known folk motives, which made this poem a true encyclopedia of folk life. Rumi was the author of the "Great Divan" ("Devani Kabir"), many gazelles, which he "signed" with the name of his friend Shams Tebrezi.

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DISPUTE GRAMMAR WITH FEEDER

Once a scientist boarded the ship of grammarians. And this narcissistic husband asked the helmsman: "Have you read the syntax?" “No,” the helmsman answered. "You have lived in vain for half your life!" - the pundit said. The worthy helmsman was heavily offended, But he only kept silent and kept a calm look. Then the wind blew up like mountains, the waves blew up, And the helmsman of the pale grammar asked: "Have you learned to swim?" He, in great trepidation, Said: "No, O sage of council, good face!" - “Alas, scholar! - said the sailor. - You have wasted your life: the ship is sinking! "

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KAMOL KHUJANDI (KAMOLODDIN IBN MASUD)

Years of life: ? - 1400g. Born in Khojent, later lived and died in Tabriz. In the history of oriental literature he entered mainly as a master of gazelles, in which he praised love, loyalty and friendship. In Kamol's poetry, the traditions of folk song are especially noticeable, and the motives of protest, which sounded in many of his works, reflected the rebellious nature of the poet's worldview.

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As soon as the wind blows from the mountains, it will pick off the flower petals, The water in the irrigation ditches will seethe - dew will fall on the rose. The daffodil is waiting for the blossoming of the rose - it will also bloom then, The boxwood and cypress are silent, only the nightingale sings then. Praise be to the one who heard the breath of the gardens in spring, Knew the fragrance of roses and the nightingale call of the night. A beauty will come to the meadows to say that I am not waiting for nothing, That the fruit of desire has ripened and the rose has blossomed in the garden. But everyone who at least once saw her face in the shadow of her hair, Losing his mind, forgot both the cypress and the smell of roses! In vain the flower wished to overshadow his lips with its beauty, The gardener tears flowers from the bush, and the wind is cruel to the petals ... Kamol, let your life fade like the flowers wither from the winds, You have found happiness on earth - you have seen colored roses!

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JAMI ABDURRAKHMAN NURADDIN IBN AHMAD

Years of life: 1414 - 1492 Poet, scientist, philosopher; was born in Herat. He was the author of the famous "Semyrica" ​​- seven poems, a large number of gazelles. hack and bait. His name was widely known in Herat, and the poet himself enjoyed tremendous influence in the city, which gave him the opportunity to patronize many cultural figures of that time.

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When you hit the snake hole with your foot, Here is mercy, dear, and pity is not good. Do not wait for the hissing of a snake, do not believe its tears ... Immediately crush the reptile, or you will perish yourself!

Boasting in vain, friends, Stupid than a dark night Look for traces of an ant In the moss of a huge rock ... But in the cache of my soul, I confess to you frankly, It will be more difficult to climb, Than to dig a hole with your nose ...

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The works of all oriental poets are imbued with a deep philosophical meaning. They are moralizing and informative.

For many centuries, the historical fates of the Tajiks, belonging to the eastern branch of the Iranian group of peoples, and the Persians (Iranians) - the western branch - were closely intertwined. From about the 7th - 8th centuries. they have developed a single literary language - "Farsi". In the IX-XV centuries. the cultural and historical ties of both peoples were especially close and the work of the classics who wrote in Farsi was equally native to the Persians and Tajiks. The poets of this time are usually called Persian-Tajik or Tajik-Iranian.

The famous Rudaky (mid-9th century - 941) is the recognized founder of classical Persian poetry. A tall, strong, wiry old man with a long, thick beard, a high forehead, with a narrow, sharply defined face - such was Rudaky in his declining years. This appearance was restored by the Soviet sculptor-historian M.M. Gerasimov from the remains of the poet found in the grave. Rudaky was a peasant's son, he grew up in a simple adobe shack in the mountains of Tajikistan, amid the labors and concerns of his fellow villagers. Having become a famous court poet, the author of subtle, graceful odes, he loved to insert a peasant word, an image, or even a whole saying into them. With filial love, the poet loved his native unknown village Rudak lost in the mountains and immortalized it with his literary name.

Rudaky became famous in his youth as a wonderful singer-improviser. He sang for the people, accompanying himself on a string instrument. The rumor about Rudaky reached the palace, and soon the poet became the closest person of Emir Nasr II Samanid.

According to legend, Rudaky composed a million three hundred thousand verses, but a little more than a thousand have come down to us.

He himself saw the poet's purpose in calling people to justice and freedom, to arouse their desire for knowledge. He wrote indignantly:

These have meat on the table, an excellent almond pie,

And these - live from hand to mouth, it is difficult for them to get barley bread.

Rudaky wrote many poems, among them the book of parables “Kalila and Dimna”, famous in the East.

Reflecting on his fate, the poet comes to a great philosophical generalization that everything in the world is contradictory, everything changes and the new replaces the old:

This is how the world is arranged, whose lot is spinning and whirling, Time is mobile, like a spring, like streams of water.

By the end of the reign of Nasr II, popular unrest and revolts broke out in the country. The rebels resolutely demanded the elimination of the chasm between the wealth of some and the poverty of others.

Rudaky was associated with the rebels. Apparently, this was the reason for his expulsion from the palace. Rudaky spent his old age in poverty in his native village, where he was buried. There is an assumption that during his exile he was blinded.

According to popular legend, another remarkable Persian poet, Abulkasim Ferdowsi (934 - 1020), wrote his great poem "Shah-name" ("Book of Kings") about the kings of Iran, hoping to receive a large reward from the rulers and give it to build a dam on the river. flooding the crops of his fellow countrymen. But in reality, Ferdowsi wanted to serve as his poem not only to his fellow countrymen, but also to all Iranian peoples.

Ferdowsi, brought up on the historical legends of the Iranian peoples, an expert and passionate admirer of the native culture, saw that the Samanid state (874-999) was on the decline. It seemed to him that the reasons for the impending collapse lay in the people's discontent with continuous extortions, violence and in constant feudal strife. In the face of the threat of an invasion of nomadic tribes, these internal contradictions made the country defenseless.

Ferdowsi believed in the omnipotence of the human mind and the poetic word. In his poem, he wanted to reveal the roots of evil, show the ways of its destruction and convince the rulers of the country that he was right.

There are three main parts in "Shahname": mythological, containing poetic processing of ancient myths; heroic, telling about

the exploits of the hero Rustam; and a historical one, dedicated to the reign of 28 kings from the Sassanid dynasty (226-051).

The idea of ​​the struggle between good and evil runs through the entire epic. Mainly Iranians are portrayed as carriers of good, their enemies - foreigners - are the embodiment of evil. Ferdowsi also condemns those rulers of Iran who did evil and thereby brought disaster to their country. The poet appreciates the dignity of the kings by their service to the people and their native land.

The artistic value of the epic lies in a lively, vivid, entertaining depiction of the struggle between good and evil, in colorful descriptions of nature, travel, exploits, human passions.

How much love and skill the poet invested in the image of heroes! His Rustam, still very young, performs his famous feats, defeats the deva, the fabulous evil giant. For several centuries of his life, he stood, like a cliff, guarding his homeland, uniting around him heroes who were ready to die for their native land.

Ferdowsi sympathetically describes popular uprisings in the poem. The legend about the uprising raised by the blacksmith Qave against the foreign enslaver of Iran, king Zahhak, is especially popular. The blacksmith takes off his blacksmith's apron and makes it the banner of rebellion. The people under the leadership of Kave sweep away Zahhak and elevate a just king to the throne.

By the time the poem was finished, what Ferdowsi feared had happened. The Samanid state fell. Bukhara was occupied by Turkic nomads. The former commander of the Samanids, Sultan Mahmud Gaznevid, established his power over the Amu Darya.

Ferdowsi decided to present the poem to Mahmud, as if calling to implement what the Samanids did not fulfill - to pursue a fair and WISE policy, to unite the Iranian peoples. Mahmud was a despot, and the poem calling for justice was rejected by him. According to legend, Mahmud ordered the poet to be thrown at the feet of an elephant. Ferdowsi had to go into hiding, wander in exile, live in need.

But the epic, rejected by the tsar and the clergy, became immortal. The people perceive "Shahname" not as a book of kings, but as a tsar-book of their poetry.

In the Middle Ages, the freedom-loving thought of the Iranian peoples found a more reliable refuge in poetry than in prose. In the poem it was easier to hide behind a poetic image and half hint. The verse has been started up, picked up, passed from mouth to mouth, it is impossible to stop it, and the author cannot be found.

He won world fame with his small lyrical poems - Omar Khayyam (1048-1123). He was a prominent scientist, astronomer, creator of an accurate calendar, and a mathematician. For his disbelief, Omar Khayyam was attacked by the clergy and poured out his soul in free-thinking verses, often not saying anything and hiding behind hints.

His poems are a kind of rebellion against the suffocating religious preaching, against its prohibitions and attempts to distract people from reality. Khayyam opposes this with a call to earthly happiness. He glorifies human feelings and genuine, courageous and comprehending mind. Justice, kindness, freedom, honesty - these are the ideal for a poet. Disregard the law, prayer and fasting: But share what you can with the hungry poor man. Be kind! - Your reward - I myself am the guarantee in that - Now the earthly wine, heavenly paradise later.

If I had dominion over this evil heaven, I would crush it and replace it with another, So that there are no barriers to noble aspirations, And a person could live, we do not languish with anguish.

The only form of his poems, Khayyam chose a ruby ​​- a quatrain. This is the original folk form, it still exists today among the Persians and Tajiks. Ruban Khayyam is a kind of miniature, where a whole life, a great human experience is included in four lines.

At the beginning of the XIII century. the hordes of Genghis Khan destroyed and plundered the cities and villages of Iran and Central Asia. The Mongol yoke slowed down their development and in many respects threw them back. The people could not come to terms with the situation. Here and there uprisings broke out, sometimes taking on a very wide scale. The uprisings were brutally suppressed.

Great, genuine poets could not help but feel the mood of the people in this difficult time. The great classics of Iran, who came from the same city - Shiraz: in the XII century - Saadi, in the XIV century - Hafiz, reflected their era and its contradictions in different ways.

Saadi (1201 -1292) lived a long life, almost a century. He spent half a century of his life in wanderings and searches. When the Genghis Khan hordes approached his city, he left his home, wandered around the world and returned to his Shiraz as an old man. Sophisticated by experience, who won great respect for his knowledge and artistic creations, Saadi created famous books on how to live - the prose-poetic collection of short stories "Gulistan" ("Blooming Garden") and the poem "Bustan" ("Fruit Garden" ). Reflecting the mood of long years of wandering and struggle, he calls for courage, perseverance, work and, most importantly, for truth. The descendants are grateful to Saadi for this. No wonder in 1958, by decision of the Peace Council, progressive mankind celebrated the 700th anniversary of the completion of Saadi's work on Gulistan.

In a sharper form than that of Saadi, the popular protest was reflected in the lyrics of Hafiz (d. 1389). His poetic gazelles brought him the immortal fame of one of the world's greatest lyricists.

Gazelle is a lyrical, usually love poem. The first couplet defines the content of the gazelle and its name. In the gazelle "The Day of Joyful Meetings" the poet conveys his longing for friends, reflects on true, faithful, selfless friendship.

Remember the day of joyful meetings with friends! Remember everything that was in those days!

Nowadays there are no faithful friends - Remember the Former ones, with faithful hearts!

All friends, not expecting them to Remember you themselves - remember!

Oh my soul, in the grip of grave troubles

Remember all your friends with their sorrows!

And, languishing in the nets of the overtaken evil, You remember their truths as sons!

And when tears flow in a hundred streams, remember Zanderud with its streams!

(Zanderud is Hafiz's beloved river, washing his hometown of Shiraz.) The gazelle usually ends with a couplet in which the poet's name or pseudonym is woven:

Do not reveal your secrets, Hafiz! II friends who hid them behind locks - remember! (Translated by K. Lipskerov.)

But there is one more feature of the gazelle, clearly expressed in the work of Hafiz. In a deeply personal poem, the poet inserted one or two verses, which contained a rebellious, accusatory hint. Often this verse, imperceptibly, because of the rhyme and sound, merged with the whole gazelle. It is in this verse that Hafiz denounces meanness and opportunism. Exceptionally lyrical, conveying purely personal experiences, the gazelle suddenly gets a different sound, it becomes a manifesto of liberty.

In one of the gazelles, Hafiz wrote:

Let this life, the mortifying poison, perish, Glory, the singer, another life - the delighting honeycomb!

So, ahead of time, the poet dreamed of another life - the life of free and happy people.

"Poetry of the 19-20 centuries" - Bunin, M. Tsvetaeva ... Contents: Cubo-futurists tried to create in poetry a "cubic construction of the verbal mass". Brief historical background. The Symbolists used melodism, creating complex musical and verbal constructions. S. Gorodetsky tried to restore in poetry the pagan, semi-animal worldview of our ancestors.

"About poetry" - How a tundy wanderer walks in the bushes in front of the forest. The snow has thawed under the pine, and the warmth is on the soft moss, .. Tomorrow a quick rain will pour down, a cloud covering the sun. Indian summer has come - Days of farewell warmth. And all around there were azure flowers, spreading spicy waves ... The face of a birch - under a wedding veil and transparent. Poetry is a wonderful page.

"Novokrestyanskaya Poetry" - A gray twilight on patrol, on the watch at the gate. From curly shavings pulls pitch, smells like a beehive, a white blockhouse. S. Yesenin. Nikolai Alekseevich Klyuev (1884-1937). Group "Beauty". New peasant poetry. Klychkov (Leshenkov) Sergei Antonovich (1889-1937). Klychkov. The peasant theme in Russian literature of the 19th century.

"Japanese poetry" - Features of the hokku. Matsuo Basho. Acquaintance with the history of hokku. Japanese poets. Tank. Tea ceremony. Shepherd's purse flowers. The raven sits alone. Shiki. Art. Funny kitten. Poetic picture. I caught the fallen leaf. Renga. Haiku. Hokku Basho. The words. Poem. Buson. Explore the features of the hokku.

"Fable writers" - The genre of fable was approved in Russian poetry by A.P. Sumarokov (1717-1777). Fable. Alexander Petrovich Sumarokov. The folk sage Aesop is considered the founder of the fable. Part comes close to proverbs and moral sayings. SV Mikhalkov - Hero of Socialist Labor, children's writer-poet, playwright, fabulist.

"Poetry about Autumn" - Combine the title of the work with the author's surname. Come up with a little poem. The flowers have dried up. The brushes are bright red wilting mountain ash. Autumn bad weather. Impersonation. I love Russian nature. Remember and insert the missing words. Leaf fall. Sickle. Dry leaves. Epithet. Autumn has come. Remember the quatrains.

water; My voice is so sweet in the silence of the night, I appeared to you in the enchanting darkness. My body is invisible, my spirit is invisible. Accept! - and my image will be yours. He will settle in the heart and, like a flower, Blossom, burn. The chill will go away - That cold that made you shiver, Love sheltered from you ... And he is gone, the heart is free now! Open the snow-white door for love! But you ask who I am. I will answer that hour: “I am the one who is not here and now. I came from the darkness and into the darkness I will leave, I will cover my path with shadows. "

Only the one who has found God's mercy, And is fed and drunk, is rich and alive. There is a secret of two, but there is no secret in three, And everyone knows the secret of four. The moon has darkened, the sky is gloomy, From a black cloud it is snowing, coming. Neither the mountains, nor the river, nor the fields are visible, And the raven, which is darker, is not visible. I have no firewood, no corned beef, And no - until the next harvest - barley. Even though I see snow - an ivory mountain - I'm afraid of overbearing at such a time. The whole world turned upside down suddenly ... At least a friend helped me with something!

Teacher: Kirasirova Havva Vildanovna

POETRY OF THE EAST

Slide 2

Explore the outstanding Eastern poets of the Middle Ages and their creations.

Slide 3

What are the works of oriental lyricists?

Main question

Slide 4

  • Roodaki;
  • Ibn Sina;
  • Nasser Khasrov;
  • Omar Khayyam;
  • Saadi;
  • Rami;
  • Cumene;
  • Doges;
  • Slide 5

    Abu Abdallah Jafar Rudaki

    Years of life: 860-941.

    One of the main pioneers of oriental poetry, was born in the village of Panjrud. He reached the highest fame and fame at the court of the Sassanid rulers of Bukhara, but at the end of his life he fell out of favor and was forced to return to his native village, where he died. His poetic heritage, according to one version, totals over 130 thousand couplets, according to another - 1300 thousand, however, not much more than 1000 bytes have survived to our time. In his work, Rudaki widely used a wide variety of poetic genres - qasids, ghazals, rubai, etc. His poetry is characterized by a pronounced humanistic pathos, brevity and simplicity of style.

    Slide 6

    Sunrise is like his glorious name,
    The moon is like a goblet on a feather, which the shah drinks in health.
    The very happy fate of the leader leads to accomplishments.
    All the prosperity of the earth is the fruit of his solicitude.
    Here the sufferer will not find joyous fruits.
    This garden is treacherous, this vault is wrong.
    The gardener will cut off your life like a dry branch,
    And the whirlwind will tear off your foliage and carry it away.

    Slide 7

    Ibn Sina Abu Ali Hussein

    Years of life: 980-1037.

    Encyclopedic scientist, poet, born near Bukhara. He wrote in Arabic and Tajik. He left a huge scientific legacy - about 300 works, including the "Canon of Medicine", which for almost five centuries was considered one of the main medical manuals. Among the philosophical treatises, the most famous are: "The Book of Healing", "The Book of Instructions and Admonitions", "The Book of Knowledge". The poetry of Ibn Sina is notable for its deep content, extraordinary clarity of thought.

    Slide 8

    With two or three donkeys near the mosque,
    That they think they are wise in the world,
    Look like a donkey to be a giaur
    These ignoramuses did not suddenly announce.
    When my friend gets along with my enemy,
    I will be glad to leave such a friend.
    Watch out for the flies sitting on the snake
    And stay away from the honey, the poison has got into it.

    Slide 9

    NASIR KHOSROV ABU MUIN

    Lived: 1004 - 1072

    Born in Kabadiana. He was the author of numerous philosophical treatises, prose and poetic works, in which he acted as a passionate defender of the interests of peasants and artisans, not accepting and sharply criticizing the anti-popular policy of the Seljuk rulers of Central Asia and the religious tenets of official Islam.

    Slide 10

    DUALITY

    Words that went with deeds apart
    And the life into which it was not possible to breathe, -
    They look like a melon, no matter how sad:
    She is a beauty - fragrant, but tasteless ...
    To the prudent I show the way:
    Don't be a playing ball or a ball!
    Flattering those who play, flattering ardently
    The ball is facing everyone, not the back of the head.
    And you are not this that you are not happy to reap,
    Those do not blabber words that you yourself hate.

    Slide 11

    OMAR KHAYYAM GIYASADDIN

    Years of life: 1048 - 1122

    Poet, mathematician, philosopher and astronomer; was born in Nishapur. At first he was widely known as the author of mathematical works, later he created a number of works in various fields of science, containing the most valuable discoveries that have not lost their significance to this day. As a poet, he became famous for his quatrains - rubai, bringing this complex poetic genre, containing a deep philosophical meaning, to the highest degree of perfection.

    Slide 12

    In the Book of Destinies, not a word can be changed.
    Those who suffer eternally cannot be excused.
    You can drink your bile until the end of your life:
    Life cannot be shortened and cannot be lengthened.
    The one who believes in his own mind from his youth,
    In pursuit of the truth, he became dry and gloomy.
    Claiming from childhood to knowledge of life,
    Without becoming a grape, it turned into raisins.

    Slide 13

    SAADI (MUSLIHADDIN ABU MUHAMMED ABDALLAH)

    Lived: 1210 - 1292

    Born in Shiraz, for more than twenty years he traveled to the eastern countries, which resulted in the books "Bustan" and "Gulistan", in which he spoke about the life of the working people - farmers, merchants and artisans. It was these books that brought him the glory of a great poet-humanist, a champion of the rights of the disadvantaged and oppressed.

    Slide 14

    ABOUT HUMILITY

    A drop rushed down from the cloud
    And, falling into the waves of the sea, she was embarrassed.
    “How small I am, but here the space is so ...
    I am nothing before the abyss of the sea! "
    She despised herself, belittled herself;
    But the sink sheltered a drop;
    And a pearl, born from that drop,
    The king was decorated with a golden crown.
    She considered herself an insignificant drop -
    And shone with beauty and glory.
    Humility is the path of the lofty sages,
    This is how the branch bends under the weight of the fruit.

    Slide 15

    RUMI JALALEDDIN

    Years of life: 1207 - 1273.

    Was born in Balkh. The author of the famous poem "Masnavi", in which he gave a figurative interpretation of the main provisions of Sufi philosophy. He illustrated his complex theoretical positions with parables, fables, short stories, many of which echoed well-known folk motives, which made this poem a true encyclopedia of folk life. Rumi was the author of the "Great Divan" ("Devani Kabir"), many gazelles, which he "signed" with the name of his friend Shams Tebrezi.

    Slide 16

    DISPUTE GRAMMAR WITH FEEDER

    Once a scientist boarded the ship of grammarians.
    And this narcissistic husband asked the helmsman:
    "Have you read the syntax?" “No,” the helmsman answered.
    "You have lived in vain for half your life!" - the pundit said.
    The worthy helmsman was heavily offended,
    But he only kept silent and kept a calm look.
    Then the wind blew like mountains, exploded the waves,
    And the helmsman of the pale grammar asked:
    "Did you learn to swim?" He is in great awe
    Said: "No, O sage of council, good face!" -
    “Alas, scholar! - said the sailor. -
    You have wasted your life: the ship is sinking! "

    Slide 17

    KAMOL KHUJANDI (KAMOLODDIN IBN MASUD)

    Years of life: ? - 1400g.

    Born in Khojent, later lived and died in Tabriz. In the history of oriental literature he entered mainly as a master of gazelles, in which he praised love, loyalty and friendship. In Kamol's poetry, the traditions of folk song are especially noticeable, and the motives of protest, which sounded in many of his works, reflected the rebellious nature of the poet's worldview.

    Slide 18

    As soon as the wind blows from the mountains, it will pick the flower petals,
    The water in the ditches will seethe - dew will fall on the rose.
    The daffodil is waiting for the blossoming of the rose - it will also bloom then, The boxwood and cypress are silent, only the nightingale sings then.
    Praise to him who has heard the breath of the gardens in spring,
    I knew the scent of roses and the nightingale call of the night.
    A beauty will come to the meadows to say that I am not waiting for nothing,
    That the fruit of desire has ripened and the rose has blossomed in the garden.
    But everyone who has ever seen her face in the shadow of her hair
    Losing his mind, he forgot both the cypress and the smell of roses!
    The flower wished in vain to darken my lips with its beauty,
    The gardener picks flowers from the bush, and the wind is cruel to the petals ...
    Kamol, let your life fade like flowers fade from the winds,
    You have found happiness on earth - you have seen colored roses!

    Slide 19

    JAMI ABDURRAKHMAN NURADDIN IBN AHMAD

    Years of life: 1414 - 1492

    Poet, scientist, philosopher; was born in Herat. He was the author of the famous "Semyrica" ​​- seven poems, a large number of gazelles. hack and bait. His name was widely known in Herat, and the poet himself enjoyed tremendous influence in the city, which gave him the opportunity to patronize many cultural figures of that time.

    Slide 20

    When you hit the snake hole
    Here is mercy, dear, and pity is not good
    Do not wait for the hiss of a snake, do not believe its tears ...
    Squeeze the reptile immediately, or you will perish yourself!
    Boasting in vain, friends,
    Foolish than the darkest night
    Look for ant tracks
    In the moss of a huge rock ...
    But in the secret place of my soul,
    I confess to you directly,
    It will be more difficult to climb
    How to dig a hole with your nose ...

    Slide 21

    The works of all oriental poets are imbued with a deep philosophical meaning. They are moralizing and informative.

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